Organic grooves

WEDNESDAY 25 | A bicycle bell tinkles above muffled chatter and the distant swoosh of street noise. A single note rings out, slowly reverberating into silence. A second note, lower this time. The pitch drops again, followed by… the rush of wind? The splash of waves, perhaps? A lone voice with sing-song lilt echoes the same tonal arc: ‘Heat… Light… Weight… I am woken by the amber chants of bald men… and ecstatic squeals of children… and the mysterious banging and grinding that will miraculously turn into a new storey on a house across the street… or a new building on the next street down the block… once I have the energy to walk past it…’ So begins Triptych, the first album poised for release by WASH – an eclectic group of four sound wizards who between them span spoken word, electronica and live instrumentation. Triptych is no ordinary album, but then WASH is no ordinary group. Flyers promoting WASH’s second live performance, The Next Horizon, frame it thus: ‘Electronic music meets poetry and they get along pretty well.’ Let us turn for a moment to Hal FX (the ‘H’ in WASH): “WASH is basically comprised of one poet and three music producers, so our attitude to putting the music together is probably quite different from most groups. It’s more about considering the overall sound, thinking about what we can introduce to the vibe and how the audience is going to find the experience. Maybe I drew the short straw with playing the actual instruments: I don’t really consider myself a guitarist or keyboard player. First and foremost I’m a music producer, so this gives me quite a different approach to playing those instruments live. For me it’s about adding tones and textures to the rhythms and sounds that Warren and Alex put together. The guitar and piano melodies form a counterpoint to Scott’s voice and join the electronic world with the more natural.”

WHO: WASH
WHAT: The Next Horizon show plus Triptych album release
WHERE: Equinox, #3a Street 278
WHEN: 9pm September 25
WHY: “I surf on what they’re serving up. There are times when I’m thinking: ‘How does this start?’ Then the sound rises and I know where I am. I get to walk through this jungle they’ve created. It’s wonderful.” – Scott Bywater

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