Get Stuffed !

The best places in Phnom Penh to eat, drink or hide from friends and/or family this Christmas

EATS & TREATS:
Aussie XL: #205a Street 51; 023 301001
Dinner (from noon December 25, $15.95): from noon Roast turkey with stuffing, honey-glazed ham and roast pork; pumpkin and dessert with custard

Doors, Street 84 & 47; 023 986114
Five-course set menu (December 24 & 25, $55) with three glasses of wine

The FCC, 363 Sisowath Quay; 023 724014
Set menu (December 24 & 25, $31.50 – includes glass of sparkling wine): duck starter and chicken terrine; roast turkey; baked Alaska for dessert

Hagar, #44 Street 310; 070 221501
Buffet dinner (December 24 & 25, $20) or lunch buffet (December 25, $17): roast lamb; desserts include cookies and apple pie

Paddy Rice, #213 Sisowath Quay: 023 990321 / 017 773102
Two-course lunch (noon – 2:30pm) and three-course dinner (6 – 8pm December 25, $19.50 and $22.50): glass of Buck’s Fizz; classic prawn cocktail, and traditional roast turkey and ham dinner, with fruit trifle for dessert

Tepui @ Chinese House, #45 Sisowath Quay; 023 991514
Five-course dinner ($55): glass of prosecco; foie gras terrine; seafood bisque; roast sea bass; pork tenderloin; carrot mini-muffins and vanilla ice cream

Raffles Hotel Le Royal, 92 Rukhak Vithea Daun Penh (near Wat Phnom); 023 981888
Market Dinner (6 – 10pm December 24, $110): Smoked salmon, roast turkey, roast beef, cheeses and yule log cake, including drinks

Buffet Brunch (noon – 3pm December 25, $110 or $150/$170 with freeflow Taittinger Brut/Taittinger Rose)
Le Royal Dinner (December 25, $125 with glass of champagne or $175 with five paired wines): seafood platter; rosemary-crusted lamb chops; cheese selection; roasted duckling; tiramisu log

InterContinental Hotel, #296 Mao Tse Tung Boulevard; 023 424888
Dinner (December 24, $38): buffet including turkey, foie gras, smoked salmon and roast lamb with glass of wine
Brunch (December 25, $48): lamb roast, Monte Cristo casserole, roast turkey and smoked salmon, plus a visit from Santa

Sofitel: #26 Old August Site, Sothearos Boulevard; 023 999200
Five-course dinner (December 24, $65): foie gras; smoked apple gelato; red peppers and goat cheese; Mont Blanc cake
Buffet (6 – 10pm December24, $79 – $99): seafood; Christmas carvery; Asian delicacies, sweets and free-flow booze
Brunch (noon – 3pm December 25, $79)
Dinner (6pm – 10pm December 25, $38)

NagaWorld: Hun Sen Park, 023 228822
Buffet dinner (5:30pm – 9:30pm December 24 & 25, $38 – $48): includes beer and wine

ON THE BIG SCREEN:

Bad Santa
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve, but they run into problems when the conman befriends a troubled kid and the security boss discovers the plot. Starring Billy Bob Thornton. 8:30pm December 20 at The Empire, St. 130.

Home Alone
An eight-year-old boy (Macaulay Culkin) who is accidentally left behind while his family flies to France for Christmas must defend his home against idiotic burglars. 2pm December 22 at The Flicks1, St. 95 and The Flicks2, St. 136.

Love Actually
Follows the lives of eight very different couples in dealing with their love lives in various loosely and interrelated tales all set during a frantic month before Christmas in London, England. 6pm December 22 and 6:30pm December 23 at The Flicks1, St. 95 and The Flicks2, St. 136.

It’s A Wonderful Life
An angel helps a compassionate but despairingly frustrated businessman by showing what life would have been like if he never existed. Frank Capra directs James Stewart and Donna Reed. 6:30pm December 22 & 24 at The Empire, St. 130; 8:30pm December 23 & 25 at The Flicks1, St. 95 and The Flicks2, St. 136.

Elf 
After inadvertently wreaking havoc on the elf community due to his ungainly size, a man (Will Ferrell), raised as an elf at the North Pole, is sent to the US in search of his true identity. 4:30pm December 23 & 2pm December 25 at The Flicks1, St. 95 and The Flicks2, St. 136.

The Nightmare Before Christmas
Jack Skellington, the king of Halloweentown, discovers Christmas Town, but doesn’t quite understand the concept. Directed by Tim Burton. 8:30pm December 23 at The Flicks1, St. 95 and The Flicks2, St. 136.

The Santa Clause
When Tim Allen inadvertently kills Santa on Christmas Eve, he finds himself magically recruited to take his place.  4:30pm December 24 at The Flicks1, St. 95 and The Flicks2, St. 136.

The Muppets Christmas Carol
The Muppet characters tell their version of the classic tale of an old and bitter miser’s redemption on Christmas Eve. 6:30pm December 24 at The Flicks 1, St. 95.

Die Hard
John McClane, NYPD officer, tries to save his wife and others taken hostage by German terrorist Hans Gruber during a Christmas party at the Nakatomi Plaza in Los Angeles. Bruce Willis and Alan Rickman star in the daddy of the Christmas action thrillers. 8:30pm December 24 at The Empire, St. 130.

Miracle On 42nd Street
When a nice old man who claims to be Santa Claus is institutionalised as insane, a young lawyer decides to defend him by arguing in court that he is the real thing. 4pm December 25 at The Flicks1, St. 95 and The Flicks2, St. 136.

A Christmas Story
Ralphie has to convince his parents, teachers and Santa that a Red Ryder BB gun really is the perfect gift for the 1940s. 6:30pm December 25 at The Flicks1, St. 95 and The Flicks2, St. 136.

White Christmas
A successful song-and-dance team become involved with a sister act and team up to save the failing Vermont inn of their former general. Bing Crosby and Danny Kaye star. 6:30pm December 25 at The Empire, St. 130.

Gremlins
A boy inadvertently breaks three important rules concerning his new pet and unleashes a horde of malevolently mischievous monsters on a small town at Christmas. 8:30pm December 25 at The Empire, St. 130.

 

Greek gods & iffy heroes

Crazy costumes, thrown sweets, interactive scenes and comedy cross-dressing. What more could you possibly wish for? Pantomime, at least in the UK, is as big a part of the Christmas tradition as turkey, tinsel and leaving out a tumbler of something potent for Santa. For the past decade the Phnom Penh Players have been bringing this seasonal English spectacle to Cambodia’s capital. This year’s incarnation, The Epic Pantomime, features Greek gods, an overconfident hero and at least one very questionable accent. The Advisor cornered a few of the show’s stars to talk flying shoes, fourth walls and how to properly pronounce the word ‘hag’.

Why don’t you start by introducing yourselves?

Hades: I am Hades, the God of Chaos and Strife.

Athena: Pallas Athena, Goddess of Wisdom and Heroes.

Kendall: Zak Kendall, Pantomania’s greatest historian.

Le Rogue: I…

Just a minute. Zak, you mentioned Pantomania. What can you tell us about the place?

Kendall: I thought you would never ask. The United Kingdoms of Pantomania are a group of kingdoms that share borders. Previously I have helped to detail the histories of several of Pantomania’s other kingdoms, but this is the first year that we have visited the coastal kingdom of Greece. I have a map if you would care to look.

A lot of areas on this map seem to be covered in question marks…

Kendall: Look, I’m a historian, writing about a pretend country. The UN isn’t exactly bending over backwards to fund my work. It’s a one-step-at-a-time thing. Research is necessary; I can’t just jump around mapping everything. Some of these kingdoms don’t even have air-con, and don’t even get me started on A’Labia – you can’t even get a drink there!

I’m sorry. I’m sure your work is a lot harder than we could ever imagine.

Kendall: It is actually quite easy, but thanks for the sentiment.

Le Rogue: AHEM!

Oh, of course! Sorry I interrupted you before. Could you please introduce yourself to our readers?

Le Rogue: Le Row.

The Roo?

Le Rogue: No, no, no. LE ROW!

Kendall: Pay no attention to him. He’s just a sidekick.

Le Rogue: Oh, le no! ‘Sidekick’ is such a demeaning term. I prefer ‘the hero of less authority’.

Noted. What’s with the chains?

Le Rogue: Just a small misunderstanding involving a local magistrate’s wife.

And you, your Excellency?

Perseus: Prince Perseus, the most decorated general of Greece.

Yes, I couldn’t help but notice your medals. If my eyes don’t deceive me, that round one there is actually for tying shoelaces.

Perseus: Thank you for noticing, citizen. I’m afraid they are not as polished as they could be. It’s so difficult to find good help in the kingdom these days.

Well, now that we’ve all met, I’m interested in this ‘fourth wall’ you mention. Can one of you explain?

Kendall: The fourth wall is what one imagines in their head when they are standing on the stage. It is an invisible barrier between the audience and the people on stage. In a pantomime it is traditional for the characters to actually address the audience; it is an artistic tool that is paramount, but not necessarily exclusive to a pantomime.

Hades: Oh, please. Someone shut him up! Three months of rehearsals and he just continues to get on my nerves. He is worse than Joe, Kate and Abigail combined.

Time for a change of topic, methinks. How about the title? ‘Epic’ is a term people seem to throw around a lot lately. What exactly is it that makes your pantomime so epic?

Le Rogue: Well…

Hades: She’s not talking to you, fool!

Kendall: By definition, an epic involves a hero on a cyclical journey or quest. The hero faces temptations and adversaries and returns home significantly transformed by his journey. Generally the hero learns or discovers something about himself that he didn’t realise before. An epic hero illustrates traits, performs deeds, and exemplifies certain morals that are valued by society.

Hades: Blah, blah, blah! Listen to him! The guy sells one bloody story and suddenly he’s some sort of literati.

Kendall: Some of the greatest examples would be Gilgamesh, the Odyssey, or Beowulf… but I can see by your blank expression that you have no idea what I’m talking about. Very well, it’s a little bit like the original Star Wars trilogy, although I promise you there are minimal Star Wars references.

Got it. So it’s a hero’s journey?

Kendall: Is English your first language?

And the hero in this case would be you, correct?

Perseus: Oh, I’m sorry. Were you talking to me? What publication are you with again? Time? Rolling Stone? Heroes Monthly?

[Sigh] The Advisor.

Perseus: Oh, The Advisor. Of course. That Jehovah’s Witness magazine. I’m sorry, but I don’t give interviews to people who just randomly show up and knock on the palace door.

Athena: That’s The Watchtower. You’ll have to forgive him. He has a tendency to be a little self-centred. It’s something we’re working on.

If we’re working off the Star Wars model, then I would assume there’s some sort of mentor/Obiwan Kenobi type figure?

Athena: That would be me. It’s my job to help mould Perseus into the kind of hero that the kingdom of Greece needs. A true hero does not simply go around sticking his sword into any old thing. A true hero must recognise the needs of others and must put the betterment of his fellow man before himself. You may have noticed that currently Perseus is a little lacking in the humility department and that he overcompensates in the vanity department.

Perseus: Oooooh, are we talking about me again?

Hades: Just keep combing your hair, prince.

Athena: As the Goddess of Heroes, my mandate is to set Perseus along the correct path. I am the first of four gods to endow him with the tools and wisdom he needs to succeed.

Kendall: When she says ‘tools’, she means magic weapons.

Four gods? Is that a reference to the four ghosts in Charles Dickens’ A Christmas Carol?

Kendall: Well, well, well. Apparently you are not as stupid as you look.

[COUGH!] You mentioned magic weapons. Like what?

Athena: There is a magic shield, a magic sword, two pairs of flying shoes and, of course…

Le Rogue: Flying shoes? Hah!

Kendall: Says the guy who cried like a baby when he fell three feet from a suspension wire.

Le Rogue: Three feet? Le no! It was at least one metre – and my shoulder is still sore.

Kendall: Three feet IS a…

Le Rogue: Please, monsieur. Your ancient system of measurement gives me a headache.

OK, enough about the shoes. What of the other weapons?

Athena: There is the sword of songs and a shield of visibility.

Visibility?

Athena: Yes, it is the second most powerful item of visibility in the Kingdom of Pantomania.

A shield of visibility? Second most powerful item? I’m afraid that comment can’t go without further comment.

Athena: It…

Hades: Mind your words!

Kendall: I concur. Those thieves at 20th Century Fox already tried to cash in by stealing our title with Epic 3D and my lawyers have advised us not to comment.

OK, let’s move on. Again. You mentioned adversaries. Who? [Silence] Don’t everyone jump in at once…

Le Rogue: Oh, can I speak? [Looks around table, hesitantly] Well, there is a temptress, three blind witches, a dragon of the sea…

A dragon of the sea?

Le Rogue: Le oui, a dragon that lives in l’eau salée. Parlez-vous anglais?

Nous pourrions parler en français si vous préférez.

Le Rogue: I have no idea what you just said to me, but dragon, yes. And the three witches. I know nothing of their magic, but three single women gathered in the same location always make me a bit nervous.

Athena: You can see why he’s the sidekick.

Le Rogue: Excuse moi?

Athena: Forgive me. I meant ‘the hero of less authority’.

‘Temptress.’ Now she sounds interesting.

Le Rogue: I do not wish to speak of this. It was a very traumatic experience for moi. Even more traumatic than the time I spent in prison, before I was repatriated to Pantomania. By the way if your audience would like to read some of my beat poetry about my time in prison they can visit my website www.rightfullyconvicted.com. I also frequently perform anywhere that appreciates a criminal and do so in a singlet so that everyone can see my amazing collection of tattoos.

So would you say this temptress is the main antagonist in the show?

Le Rogue: Pardon moi. An-ta-go-nist? I am sorry, I do not speak Latin.

Kendall: He means ‘the villain’.

Le Rogue: Oh, of course – and oh, le no! The temptress is not the biggest challenge. That would be the ’ag known as Medusa.

Kendall: He means ‘hag’.

Le Rogue: This is what I said, no? ’ag.

An ’ag? What exactly is that?

Kendall: Like a witch, but super upgrade.

So this super upgrade witch, Medusa, would be the villain then?

Hades: Shades no! Are you blind? Do you think I’m sitting here in these dark robes because I’m a member of the chorus? I am the villain! I intend to spin the Kingdom of Greece into a downward spiral and plunge all of Pantomania into chaos!

Athena: And how has that been working out for you so far?Hades: Admittedly it has not been going very well in rehearsals, but the weather changes every day. Mortals crave chaos; the people of Greece, the people of all of Pantomania do not know how to live in peace. They want violence, they want tyranny. They are all fairytale characters, after all.

Fairytales do have a tendency to end happily, however.

Hades: Are you unaware of the law of averages? At some point the tables are bound to turn!

Athena: Keep telling yourself that.

Hades: And you keep hedging your bets on that little prince and we will see who wins in the end.

As much as all this bickering puts me in the Christmas spirit, I’m afraid we need to wrap this up. In closing, is there anything left you’d like to say to our readers?

Athena: It is a lovely pantomime and it has a unique setting, but it’s a pantomime in the most traditional sense: teaching good moral lessons and there is comedy for children and adults alike.

Hades: I am not just a villain. I am the GOD of Villains – and I expect a good crowd of people ready to ‘BOOOOOO!’ me!

Le Rogue: I hope that you will come and see the greatest hero of less authority that the Kingdom of Pantomania has ever known. Also, I am a bit short on cash at the moment, so perhaps after the show, if you buy me a drink, I will make it worth your while. [Wink, wink]

Kendall: We have a hero, a damsel, a villain, a king, a thief, several Gods, three witches, three greasers, a mythological hag, a cafe worker, a singing contest, a sea dragon, and a kitchen sink. If that doesn’t say ‘family Christmas’, I don’t know what does.

Perseus, anything you’d like to add?

Perseus: Maths isn’t my strong suit…

Athena: To the interview about the pantomime, you idiot.

Perseus: Oh, you mean MY pantomime. IT IS EPIC!

WHO: The Phnom Penh Players
WHAT: The Epic Pantomime
WHERE: Russian Cultural Centre, corner of Norodom Blvd. and St. 222 (tickets available at The Willow Boutique Hotel, Divine Pizza & Ribs, and The Flicks)
WHEN: 7:30pm December 6 and 2pm and 7:30pm December 7
WHY: It’s EPIC!

Resurrecting the dying art of dignity

You’ve spoken quite strongly in the past about the issue of ethnicity, most notably during your interview on the Angry Asian Man blog when he asks you what makes you angry. How would you describe your identity?
To be honest, I feel like no one! One of the songs I wrote with my mum – we write all my songs together – is called Refugee. We wrote about this idea that when you’re in between identities, you’re kind of drifting. It’s like an abyss; this abysmal identity, but also like a chameleon: you’re in many different settings and you change to fit those settings. Sometimes I feel extremely American, there are certainly times when everything I do, I say, my mannerisms, my likes, my dislikes, my influences – many of them come from an American basis. Even my ideas on morality, human rights: all those things. But when I come here there’s something else that takes over. Even my mannerisms change naturally: suddenly I’ll cross my legs more; I’ll be a little more shy around men, a little softer. Identity wise, I’m definitely American but there are also so many factors to it. I’m Cambodian, but I’m Cambodian diaspora; I’m not just Khmer, but then I come here and get influenced by the Khmers here so I feel like I’m just this big drifting boat of culture and I pick up things as I drift along.

When you were growing up in the US, how visible was Cambodia in your daily life? Did your parents speak Khmer with you? Did you discuss the country’s history? Were you conscious of where you came from, albeit indirectly?
When I was little, I didn’t even know where Cambodia was on a map. One day my mum said to me: ‘You know you’re Cambodian.’ My mum did a really good job of reminding me who I am. ‘You know, Laura, you are American but don’t forget that, at the end of the day, you’re Cambodian: your blood is Khmer.’ We talked about it later in life, too: how I wasn’t really meant to be in America; none of us Khmers were. But she did a very good job of raising me with Khmer themes. We didn’t speak the language: she wanted me to be assimilated, didn’t want me to grow up with an accent, so we spoke English at home. But at night time, she would tell me Ramayana tales; she put me in Cambodian dance classes when I was in fourth grade. She wanted me to grow up loving it, but she wanted it to be this mysterious thing, too. She would tell me about the good times; my family would always talk about the ’60s. No one really talked about the Khmer Rouge period, really. They’d talk about the old days and the glamour. I was raised to be proud of being Khmer, but being at school, Cambodia was a paragraph in the history books: you’re raised with the idea that America is Number One and you don’t realise that’s propaganda until college, so thank God for college!

Your mum sounds awesome: a very powerful but grounding force.
[Laughs] You got it! She’s the big one in my life. She’s also this great philosopher: she grew up on Chinese kung fu, but loved the entire concept, not just the martial arts. She was explaining the balance between yin and yang to me when I was six years old. She’s got this great sense of accepting what happened and pushing forward: ‘OK, where can we go now?’ She raised me with that. What she likes to protect is this idea that in Cambodian is called phlai phno, which means ‘dignity’. It’s a concept that’s dying; not necessarily dying, but it’s an old concept. The upper class are supposed to act with dignity; they’re supposed to be so educated that they can show other people how to act. The reality is a little funky, but for everything that happened during the war – the devastation – you can’t blame the dog-eat-dog. We’ve been in dog-eat-dog for more than 30 years, this post-war devastation, but we’re finally at a place now where there’s some prosperity and people are, like, ‘So, what else?’

I’m dying to hear about these famous ‘kitchen parties’ your mum held when you were a kid…         
Yeah! The funny thing is my mum and dad would never have got married under normal circumstances. He was from a high-class family, but actually his father was ousted and so only she grew up high class. If they hadn’t have got married they’d have been killed, because singles were being targeted. She always talks about it: ‘We would never have got married, but then you kids came out…’ My brother and I are pretty unique and we’ve got some spirit to us, but they’re both very hippy and in some sense – of course, they’re divorced now – they did match in a lot of ways and they’re now best friends. It’s a unique situation most Cambodians don’t understand: ‘What? They’re best friends? Why don’t they just get married?’ Because they’re not good together; they’re better as best friends. They’re both hippies! My dad was Creedence Clearwater all day, every day. That’s what we grew up on. My mum was Carlos Santana, The Beatles: she was the girl in the ’60s who was going to concerts and wearing mini-skirts. She always says: ‘I was born in the wrong country. I’ve got a big mouth!’ She was always top of her class, but the teacher would put her in a corner for talking too much; she just wouldn’t stop talking! She’s a rebel. When they got to the States – they’re both very smart; they’re not just survivors – these kids handled things, no problem. Both of them made it to at least lower- and upper-middle class, you know? They grew up with a sense of freedom and they wanted us to be free because they didn’t have that. My mum thought her youth was stolen by the Khmer Rouge: ‘I don’t know love, I don’t know falling in love; I don’t know any of those types of things and that’s their fault.’ My mum was 15 and my dad was 17 when it all began. She talks about it a lot: the absence of being able to be a teenager; having to survive too soon, to take care of her mother because she lost her husband and broke down. Both of them had their youth stolen and I feel that when they got divorced, they got to reclaim that youth. We all grew up together, almost: me, my dad, my brother, my mum. Now we get to experience things: it feels like we’ve been able to live life and now we’re the closest we’ve ever been – in 25 years.

With parents that progressive,little wonder you found yourself studying anthropology at Berkeley. Anything to do with your own sense of ethnic identity?
Yeah! I never fit in at high school, but it was Filipinos, Vietnamese and Mexicans. In middle school we all mixed; in high school we all separated by ethnicity. I was, like, ‘I don’t fit in anywhere!’ The only other Cambodians at my school were gangsters. I’m not even a gangster – I can’t really hang out with you! There was a lot of drifting, but then I noticed there were a lot of different cultures: bits and pieces you’d have to get over and this interested me. Mum said: ‘Get a business degree.’ so I started out in maths and communication. One of the prerequisites was anthropology; I took the class and thought: ‘Absolutely!’ I fell in love. You can solve cultural issues and actually write a book and have people read it and influence a generation? This is crazy! This is amazing! It was all the stuff that made sense to me because I’ve always been good at language; I’ve always been good at being a chameleon, which is sometimes what is helpful in an anthropological sense. To go into a culture, that was my favourite thing to do. I was studying Japanese and got to go there for a home stay. I was able to assimilate; get close; learn the language quickly. I had a deep conversation about love with my Japanese sister – and I was in high school. When I realised there were people doing this as scholars, dude, I would totally do that! I wanted to go to Cambodia and learn about it; I had dreams about it.

And the launch pad for your first visit was your band The Like Me’s, whose YouTube channel garnered more than 1,000,000 hits – and suddenly the calls started coming.
I was actually doing preservation conservation, working for Global Heritage Fund, but then I started a band for fun. It was me and people I know from my community: we did an open mic and there was a good turn-out so some guys asked if we wanted to come play at their club. It was four girls and, you know, girls draw crowds. ‘Alright, let’s do it!’ I put my original music up on YouTube and started receiving messages from people. It was a counselling tip from a friend: I was heartbroken and she said: ‘Get yourself out there.’

Heartbroken?
[Laughs] I was totally heartbroken in college! I was out of it and couldn’t figure things out. She said: ‘You have music. Why don’t you put it out there? It’ll be part of your healing process.’ I said: ‘You’re crazy! I would never do that.’ She said: ‘Just do it! You need to heal!’ Alright, fine. I put my music out there and these Cambodians from Germany, from Australia, France, different parts of America, were saying: ‘Finally! Original music!’ I’d always wanted an idol and when I started getting these messages I realised everybody feels this way. It gave me an idea: ‘I think original music could make a comeback.’ Then I joined The Like Me’s and we started doing music videos and, because I was leading, I said: ‘Let’s do Cambodian stuff!’ We took a chance and did one song that I showed my mum and she said it was cool, so I asked if she wanted to try translating it with me. She found this beautiful thing: she found a poet inside her. She’s a great poet. We had no idea! ‘I’m good!’ Yes, you are! ‘I write better than you do!’ You do. [Laughs] ‘Your songs are stupid. Mine songs are brilliant!’ So then we put that song out, Pka Prohean Rik Popreay, which is ‘Morning Flowers Blossom’, and it went viral because no one had done an original Khmer song on YouTube yet. Everyone was doing covers of the old Khmer stuff. Dengue Fever had come out and people were excited, but it was still covers. It was my first bout with viral stuff: it was getting shared all night long. We put it out there and it was, like, boom, boom, boom! ‘What is happening?!’ Then we did Sva Rom Monkiss, because we wanted a theme talking about the violence between the two generations: between parents and the youth; trying to undo it. Nobody knows there was a huge party scene here. Nobody knows there was this massive scene – intellectuals, artists. Nobody knows and nobody talks about it. That’s the thing my mum and aunts always lament: ‘Nobody knows we were awesome. We had great parties; we were thoughtful; we wanted democracy. We had all these ideas for our country and then it abruptly stopped.

Photos from Cambodia in the 1960s are magnificent: beautiful Khmer women in tight-fitting mini-skirts with towering beehive hairdos.
They were sassy! All my aunts say: ‘You don’t know how glorious it was. The Thais used to watch our stuff, rather than us watching their stuff. Of course it gets nationalist, but I think it has to do with this idea that we had so much and then it was gone. After Sva Rom Monkiss, I did this thing where a professor from San Francisco State asked me to come give a talk to his class. Afterwards, he asked what my plan, my mission was. He said he’d found out recently that his father was actually Cambodian. His father had told him he was Vietnamese his whole life. The crazy part is he ended up showing his father Sva Rom Monkiss – a cover from the ’60s – and his father broke down in tears and then started admitting his Cambodian life and it turns out he was a musician from that period and he was so broken-hearted about what happened that he never wanted to look back. I think the song helped open up the dialogue among youth and parents, but it’s presented in a way that’s happy. ‘Sure: let’s talk about the past; let’s talk about what could have been. I just think people haven’t been willing to dream for a long time and now it’s a different feeling, because we’ve got time now: we’ve got youth, we’ve got energy, we’ve got movement.

Talk us through some of your favourite original songs: what you’re doing creatively, what inspired you…
There’s Pka Prohean Rik Popreay (‘Morning Flowers Blossom’): that’s the first song we did with my mum and it’s written as a love song. You know Cambodians: they do love love! So many Cambodian lyrics are: ‘I saw you – and now I can’t live without you.’ She just rode by on a bike, dude! Woah! You gotta slow your heart down. Try dating multiples. Jeez! It’s one of my favourite songs because it’s my mum’s ode to her own love lost – the things that she wished she could have experienced. She talks a lot about fear: the fear of admitting you love each other. It’s such a beautiful feeling: love can be like a morning flower if we just let it blossom.

So many Cambodian songs seem to be grounded in nature, perhaps because of the country’s history of animism.    
It’s all about equating life to nature. Nature rules here. In the States, even in the UK, we rule the land, but here the land rules the people and that’s why they submit to the land. That’s why it’s such a huge theme. All of Cambodia’s ancient themes use nature as an analogy because what were they doing? Hanging out in cities? No! They were farming. Another song we did was Dontrey Sni, which translates to Music Love, more an alternative rock thing. Most Cambodian songs have a narrative but we did it the Western way: let’s just talk about a feeling; the experience of what happens when you close your eyes, let the music come in and just let go. I love that song because it’s my vehicle. Music isn’t my life passion; I think Cambodia is my life passion – the movement here. Music is my vehicle: that’s how I’m going to drive through this world.

Make sure it’s armoured.
[Laughs] Yeah! ‘Don’t mess with me or I’ll write a song about you!’ It’s about letting go and letting the music take over; it’s what I hope young Cambodians will do as well. I think they love music out here.

Your first visit to Cambodia must have been a powerful experience.
It was 2011, so I was 23. We got invited to give thanks at a ceremony to the Angkoreans for giving us their art. I’d had a dream about going to Cambodia. We were a garage band: a true garage band, getting kicked out of people’s houses: ‘Get out of my house! You guys are loud!’ We ended up in almost everyone’s garage; it was intense.

What did you feel, that moment when the plane touched down on the tarmac?
I felt like it was destiny: the gods were, like, ‘Are you ready?’ Lead me, o gods! [Laughs] My grandmother believes I’m the reincarnation of my grandfather, who was a congressman here before he was killed by the Khmer Rouge. Even though it’s a crazy thing to think about – reincarnation and all that – I’m a believer. Whatever: DNA and all those things. I’m spiritual: I don’t think anyone has the answers but I do think there’s something going on. If everything is energy then will is energy and if will is energy then will can live on beyond. I’m the only one in my family obsessed with going back to Cambodia, so in a way I believe it. I want to do something else here and to help rebuild something. When I got to Cambodia and got off the plane, I thought: ‘Aha! See? It’s real. Everything that will happen from this point on will happen because it’s meant to happen. There’s some unbalanced energy from the Khmer Rouge that will bring good energy: for all the bad that has happened, there has to be something better that comes. After so much darkness, there has to be light – and which side do you want to be on? More darkness? Or are you going to jump on this huge tidal wave of life and just bring it? You can leave a good grain of sand after death, after you’ve moved on, and say: ‘At least I was part of that wave and contributed to how good that swell was.’

Was there anything that surprised you about Cambodia?
The resilience: how comfortable people were with how much bad shit goes on here. It’s on the street! The big step on the small, quite literally, but people just live on and they find happiness in the small things: ‘Oh, whatever. That’s just the way it is. I’m just going to focus on this…’ How do you guys just keep on with this, because I can barely handle it? Maybe it’s because I’m American and have this spoiled perspective, but I just couldn’t understand how they maintained happiness through those kinds of things. They surprised me, and also the youth surprised me with how hungry they are. It’s a movement. There’s this boldness: ‘Whatever. We’ve seen it all. Bring it!’

Folk were hanging flowers and laundry on the razor wire put up by the authorities after the elections.
They’re defiant and bold! You can say there were many problems, but if you really look at the benefit of the elections, it was enormous. Regardless of how things went down, I think it was perfect. What you have now are people who are interested in taking care of their country. If it’s going to be a democracy, it’s about the demos, right? People have got to be participating and that’s all you need. If people are participating then things will happen in a certain way, even if it’s not perfect. They don’t have to be perfect.

Any chance we could persuade you to move here and run for office?
[Laughs] Here’s the thing: people have asked me about my political position and at the end of the day I’m American, I’ll always be American, I live in America. My opinion should not affect what Cambodians choose for themselves. They need to choose their own leader, make an educated guess and not just listen to someone saying: ‘Our neighbours are bad,’ or ‘The Thais are doing something.’ They have to make a decision on their own about what Cambodia needs. What I’m doing, and what I hope to do in my life mission, is to rebuild a sense of voice and empowerment: ‘We’re fine. We’re cool. We’ve got our own stuff. We don’t need to be this or that; we just need to be us.’ In terms of my political opinion, that’s just an opinion. What I want is for the Cambodians themselves to control their own narrative. The economy is the most important thing for Cambodia at this point: if we want justice, if we want all the things we want, we’re going to have to have rule of law and have a middle class to make such things take place.                ‘We should have it right now!’ That’s impossible – and it’s what got us into the Khmer Rouge in the first place.

What do you have planned for this trip?
With my EP, Meet Me In The Rain, the whole idea is to be more independent this time. I get to do whatever I want and work with whoever I want. I’m shooting music videos, all in Cambodia, but the most exciting thing is that I’m shooting it all with Cambodian talent: Cambodian directors, actors. I met them a couple of times on the last trip and now I’m pursuing them. They’re just as good and ready for the world stage. OK, let’s do it and see how far we can take it! This time it’s to put my feet in Cambodia and say: ‘OK, guys. I’ve been doing my thing. Now you show me your thing. Let’s collaborate.’ We’re doing NGO stuff; we’re doing a concert at Wat Opot; we’re doing Friends International. I’m going to try to do a lot.

Tell us about Meet Me In The Rain.
It’s funny: it turns out I really am Cambodian and love love songs! [Laughs] It just happened. Here’s the scoop: I fell in love with someone… Actually, maybe I shouldn’t admit that. Let’s just say I was inspired and wrote an entire EP. It’s a long set of emotions about love; sort of easygoing listening, a little more acoustic because that was my original style.

Dare I mention Jack Johnson, barefoot-round-a-beach-campfire?
Hell yeah! He was a massive influence. That’s the vibe for the entire thing: sweet and soft. When I was with The Like Me’s, we were all girls but we were all tough so we brought out the toughest music we could. When I’m on my own I’m all sweet and ‘Ow! You trod on my heart!’, you know? Totally Cambodian: ‘I’m totally fricking in love with you!’ Damn, I really am Cambodian. [Laughs] That was a realisation: ‘Dude, I’m just giving it away!’ But it’s all about love and it’s meant to be happy. Next year I’ll be working on a full album, In Search Of Heroes, based on the theme that all Cambodians are searching for heroes and we’re just going to have to find them, probably, within ourselves.

You’ve written a very moving song about the Water Festival stampede in 2010, in which more than 300 people died.
I’d never seen anything like that; never seen images ever like that. It was very sensitive and it was actually recommended to us that we don’t make a big deal out of it. We played it though, on our tour, but we didn’t release it as a single. We wrote the song for the victims; it was called Pich, which means ‘Diamond’, and what we meant to say was that the victims would become like diamonds in the sky; every time we look up to the star, we’ll remember you. That’s what music is for: healing. I was a little sad that people didn’t want to think about it because it was too tragic, but we have to remember them. The whole point of the song is to remember them – a tribute to the people lost.

You mentioned gangsters earlier. Khmerican.com rates you Number One in its list of must-watch Khmericans for 2013. Another name is Kosal Khiev, former felon turned spoken-word artist whose experience of life in the US was very different than yours. Do you ever get a sense of ‘There but for the grace of God…’?
Me and my buddy in psychology had long talks about this idea. She talks a lot about trans-generational trauma: trauma that’s passed down even though you’re outside the zone. I think there’s such extremism because any Cambodian – almost all of them – have parents who endured trauma. All of us have witnessed post-traumatic stress syndrome: our parents having nightmares. My father went through a week of nightmares when someone in his workplace committed suicide – and he’s really in control, but the minute it’s triggered, it’s crazy. There are so many emotions; so much pain. When I was growing up there was a lot of emotion and I thought: ‘Am I crazy?’ I’m also a Scorpio, which makes it worse. [Laughs] There’s so much emotion that sometimes I would surprise myself: ‘Where’s this rage coming from? I’ve had a good life. Why, if I see something on the street I think is unfair, am I crazy, red in the face and shaking?’ Trans-generational trauma: that’s where that’s coming from and I think it needs to be studied. A lot of Cambodians are attracted to gang culture, or anything that has domination and submission in it. We’re attracted to violence. There’s a lot of trauma we’re not talking about and I think there are some people, like Kosal, who have come from such extremes and I think his artwork is so great because he’s able to translate that pain and channel. Once you open those channels, which is what my buddy was helping me to do in college by doing music – she said: ‘Learn how to channel it or you’re going to burn to the ground; you’re going to get into trouble if you keep doing what you’re doing’ – and that’s what we’re doing. We’re translating those feelings. Kosal found a way to translate them; he’s tapped into this multi-generational energy. It’s the energy of the people and you saw it when the king father died. It wasn’t just mourning because people loved the king father, it was because we haven’t expressed our feelings in more than 30 years. There is so much energy here that’s untapped. Whatever people like me and Kosal do in this generation, I feel like we’ll lay the foundation for the next generation to tap in and just absolutely go for it. That’s my hope and I think that’s what Cambodians everywhere have the chance to do. If we allow ourselves to tap into that energy, there are many great things that can happen. We don’t need to create an identity, we have one already.

WHO: Laura Mam
WHAT: A most iconic Khmerican chanteuse
WHERE: The Village, #1 Street 360 (Nov 22 & 23) and Wat Opot, December 22
WHEN: 7pm November 22 & 23 (The Village) and December 22 (Wat Opot)
WHY: She’s the future

Best of Phnom Penh 2013

editors-choice

Best place to lose your mind with alcoholic madness

L’Absinthe Bar, #216 Street 51

The hallucinatory powers of absinthe have long been disproven by science, but what do a bunch of geeks in lab coats really know anyway? Van Gogh, Degas, Picasso, Hemingway and Edgar Allen Poe all swore by the Green Goddess. Who are we to contradict? L’Absinthe Bar carries approximately 20 kinds of Green Muse from all over the world. Absinthe alone is terribly bitter and it’s common to sweeten and dilute it, often in elaborate ritual. With its water fountains, flaming sugar cubes and intricately cut spoons, the act of making a glass is often just as pleasurable as drinking it. Ask for Thibault, the proprietor. He knows his absinthe and will serve you well.

Issue-98-5Best Mexican breakfast

Chorizo hash at Alma Cafe, #43A Street 454

Alma Cafe’s recipe for success is singular: Mexican food made by Mexican people. The Chorizo hash – served with two eggs and salsa, juice and coffee for only $4 – is so good you’ll think you died and went to San Antonio. Big meaty chunks of homemade chorizo come pan fried with potato cubes and plated alongside two sunny side up eggs. The rest of the breakfast dishes – huevos rancheros, breakfast burritos and the chilaquiles – are all heavenly, too, but there’s just no beating a good chorizo.

Best place to watch a Cambodian kick a Thai’s arse

Apsara Boxing Stadium, #69 Street 57

Once a month the superstars of trainer Yuth Phutang’s stable take on their Thai counterparts at the Apsara studios in BKK1. The room itself is small and intimate with short stands and a low ceiling, and the crowds push up to ringside. Sen Rady, a fresh-faced 57kg pressure fighter, is the undefeated local prodigy. He is small but strong with knockout power and a cast-iron chin. And when he turns it on and the crowd starts roaring, you know you are witnessing a Cambodian fight legend in the making.

Best place to see a cage fight

CTN Boxing Arena, Route 5

The sport of MMA is virtually brand new to Cambodia, so anyone expecting UFC-quality fighting should take a quick reality check before heading to the CTN arena on a Sunday evening (fights start at 7pm). What local fighters lack in experience, however, they more than make up for in sheer toughness. Many, if not most, fighters have converted from Kun Khmer, so stand-up striking skills are far superior to any ground work. But therein lies the charm. Even with small gloves, there is a willingness to stand and trade that you seldom see at higher levels. And Sunday nights at the CTN cage are often as entertaining as anything you’re likely to see on TV. Plus, there’s far more energy pulsing through a live crowd. The violence in the ring is far more immediate. And entry is free.

Best tiny bar

Seibur, #34 Street 308

A year ago, brothers George and William Norbert-Munns opened Bar Sito – literally ‘small bar’ in Spanish – an intimate speakeasy in the Street 240½ alley. Not men to rest on their laurels, last month the two opened a new, even smaller, bar called Seibur on Street 308. Adorned in light hardwoods and soft lighting, Seibur feels like an aperitif room on a small yacht, close-quartered and intimate, well-made and sturdy. But because of its size — the room might hold 10 people if four sat outside – it’s easy to arrive with a few friends and take over the place. And after a cocktail or two, it’s really, really easy to start thinking of Seibur as not just any aperitif room, but your aperitif room — a feeling the staff do nothing to dismiss.

Best coffee roaster

Feel Good Cafe, #79 Street 136

The first thing you notice when you walk into Feel Good is the giant chrome-and-black coffee roaster, an elaborate, industrial-looking piece of equipment that appears far out of place given its surroundings. Every morning Marc Adamson rises at a brutal hour to hand pick his coffee beans. Most are from Cambodia, but there are some Laotian and Vietnamese beans in his mix, too. The result is a perfectionist’s blend that rivals the best coffees found anywhere in the region. Take a bag home or sip a cup on the spot. Or both.

Best skateboard shop

The Skateshop, #9 Street 7

The skateboard community in Phnom Penh is tiny and until only recently there wasn’t even a skate shop in town. That all changed in July when a shutterbug and skate enthusiast who goes by the handle Samjam opened the capital’s first real skate shop on Street 7. The Skateshop carries a selection of decks and board accessories – trucks, wheels, bearings — as well as skater-style shirts and shoes. The shop is the de facto epicentre of the local skate community, and the city’s next generation of shredders can often be found across the street in the park abusing the concrete.

Best place to road test a jet ski

Street 63 during rainy season

Most companies suggest 16 inches to two feet deep to be on the safe side. Anyone who has ever tried to cross Street 63 in BKK1 knows that the water can easily get that deep.  And how James Bond are you weaving and throwing spray on the bogged-out motos and Corollas? Remember to mind swimming children and floating plastic bags (don’t forget: a jet pump acts like a giant vacuum cleaner).

Best place to test your patience

The shampoo aisle, Lucky Supermarket

A regular shopping stop for many expats, Lucky Supermarket is micro on the scale of the supermarkets many Westerners are used to. Two shopping trolleys can cause a traffic jam in nearly any aisle and nowhere is this more apparent than the shampoo aisle, which is full dawn till dusk not only of shoppers, but of company representatives who lean against displays checking their make-up and taking selfies. Then again, you could always be stuck in the queue at ANZ.

Best place to pull a tourist

Top Banana, Street 278

Drop a ‘Moi tiet’ at the bar and you have their interest. Tell them that you have lived here for more than six months and their pulse quickens. Mention that you work with at-risk people for a very small wage and you’ve sealed the deal. Don a ‘Human rights defender’ T-shirt and you might just get stuck with them for life. Perish the thought.

Best place to show you how clever you aren’t

Howie’s Bar, Street 51

Upon entry you are greeted with smiling faces and ‘Hello, brother/sister!’ You sit down and order a drink. ‘Would you like to play a game?’ What game? ‘Connect Four.’ What’s the wager? ‘A drink.’ Why not? You used to beat your grandma all the time and your winning streak against your six-year-old nephew is just embarrassing. EPIC FAIL! You’re more likely to see a UFO land on the roof of the Heart of Darkness than win a game of Connect Four in Howie’s.

Best place to have an argument

Candy Bar, Street 136

You just blew a bunch of cash you didn’t have playing Connect Four in Howie’s Bar and you’re angry and thirsty. Smile Mart is always an option, but the canned enthusiasm of their employees doesn’t fit your mood. Why not hit Candy Bar? The post-op/pre-op/cross-dressing (?) barmaid/man down there is sure to greet you with a big frown and plenty of attitude. And God bless her/him/it: they’re always up for a blazing row.

Best advice for a newcomer

When a driver says: ‘Yeah, yeah, yeah,’ what he really means is: ‘No idea!’
You’re a foreigner and your knowledge of the local language is limited, but you can never underestimate how little someone else knows. Knowing a landmark near the place you want to go and how to get to your destination from said landmark are key to easy transportation in the capital. Street numbers are helpful, but house or building numbers are worthless, for the most part. And forget about handing over a map: you’re the only one in the conversation who can read one (assuming you actually can).

Best cheap laugh

Comedy Club Cambodia, Pontoon

Why do we laugh? The answer, argues Sigmund Freud in his 1905 book The Joke And Its Relation To The Unconscious, is that jokes – much like dreams – satisfy our unconscious desires. “Jokes have not received nearly as much philosophical consideration as they deserve in view of the part they play in our mental life,” wrote the Austrian psychoanalyst four decades before a young Lenny Bruce earned $12 and a spaghetti dinner for his first stand-up gig in Brooklyn. Freud has a point. Stand-up comedy is arguably the oldest, most universal, basic and deeply significant form of humorous expression. From the fools and jesters of the Middle Ages, through 19th century humorists Mark Twain and Artemus Ward and finally onto the Eddie Izzards of today, comics are society’s shamans: visionaries who use the alchemy of laughter to present the world in a different light. Today, Phnom Penh plays regular host to some of the world’s most rib-tickling funny people, such as Ireland’s Aidan Killian, at the Comedy Club Cambodia, where the laughter flows just as fast as the beer.

Best riots that weren’t

The general election

Riot police erected ominous-looking razor wire across the capital. The Cambodian electorate responded by hanging flowers and laundry from it in abundance. In scenes reminiscent of San Francisco in the 1960s, brute force was met with a certain beatnik abandon. Bravo, Cambodians. Take that, so-called ruling party.

Best surprise discovery

The Cambodian tailorbird

Simon Mahood, who works for the Wildlife Conservation Society, had always wanted to discover a new species, dreaming of Livingstone-like explorers trekking deep through malaria-infested jungles. What he didn’t anticipate was doing so about a 30-minute drive from his own front doorstep. Intrigued by photos taken by researchers probing avian influenza in small birds in 2009, Simon realised they had captured a Cambodian tailorbird – which build nests by threading spider silk or other fibres through a leaf – without knowing it was a new species. Of the discovery, Simon told the Daily Telegraph: “I’ve always wanted to discover a bird species, but I never expected it would happen like this. I certainly didn’t expect to be standing in flip-flops and shorts a half an hour from home.”

arts-entertainment

Best live music venue

Equinox, Street 278

As befits a bar named after the twice-yearly occurrence when the Sun hits its zenith above the equator, night is given equal weight as day at Equinox. This two-storey labyrinthine bar boasts not only the capital’s widest live music repertoire, with everything from bachata to punk to raga dub, but also what is perhaps its most seasoned sound engineer. Ohio-born Anthony Mrugacz has racked up 35 years in the music industry, touring almost as many countries with, among others, Burning Spear, Alpha Blondie, and the Pixies. His is a deliberately tight ship: limited space creates a sense of intimacy between bands and fans, and killer acoustics keep gigs ringing in your ears for days. Chained to your desk/spouse/offspring? Listen in live online. Nice.
Runner up: Show Box

Best band name

Dengue Fever

At worst it’s an infectious tropical disease characterised by fever, headache, a creeping measles-like rash and muscle and joint pain; at best it’s the name of the Los Angeles-based sextet who take ’60s Cambodian psyche rock and stuff it through a blender. Dengue Fever, so called because Farfisa organ player Ethan Holtzman – a Californian hipster backpacking through Southeast Asia – was riding in a beaten pick-up truck with a friend who’d contracted the disease when he first heard the captivating melodies of ’60s Cambodian rock, have done it again: despite being based on the other side of the world, they’ve confounded the laws of geography and won Best Band Name in Phnom Penh.
Runner up: Cambodian Space Project

Best band

Dub Addiction

This Phnom Penh-based collective, presided over by hardcore ragamuffin, dub, jungle and drum ‘n’ bass aficionado Professor Kinski (the German music producer known to friends as Jan Mueller), produces an epic fusion of reggae and dub with Khmer saravan. “Cambodia is a country with an exciting musical past: old Khmer Rock, Sinsi Samouth, Rua Sorey Sothea, all killed by the Khmer Rouge,” he says. “When I arrived in Cambodia in 2002, there was nothing left except cheesy karaoke. Hearing those beautiful voices and melodies gave me the inspiration to use those old styles and create a new fusion groove out of it with Western funk, house, big beat and electro influences.” The result is the most epic live band in the country. Hear, hear.
Runner up: Cambodian Space Project

Best musician

Scott Bywater

Somehow the words on his business card simply don’t quite cut it: ‘Kind of a music guy, writes a bit’ doesn’t begin to describe the capital’s most loved muso. Having strutted his stuff on stage with everyone from the Cambodian Space Project to the Lazy Drunks, via the WASH collaboration and the Riverside Raybans, Tasmanian Scott Bywater – self-described ‘poet of the bar room’ – has now produced his third volume of published poetry and continues to roam “in pursuit of the unlimit”. “It appeals to me, to be always moving,” he says. “At this stage I’m down to a suitcase and a guitar or two. It’s the idea that the journey is more important than the destination. Arrival is always the same, but the journey is always different.” Congratulations on your arrival as finest musician, Mr B.
Runner up: Conrad Keely

Best open mic

Equinox, Street 278

Though open mics often focus on verbal skills such as poetry and comedy, the concept probably outdates the spoken language and once involved our hairy, large-foreheaded ancestors grunting melodiously for each other’s entertainment. As time went on, the tradition continued as a way for people to share their talents with peers in the absence of a fourth wall. Enough open mics have sprung up locally that they now outnumber days of the week, but Equinox – which now plays host to the monthly PP Punchliners comedy open mic – is The Daddy.
Runner up: Show Box

Best artist

Kosal Khiev

A self-described “poet and tattoo artist”, Kosal Khiev’s spoken-word performances are marked with an intensity and rawness that penetrate class and cultural boundaries like a Teflon-coated bullet. Kosal grew up without a father in California, in public housing projects engulfed with poverty, violence and drugs. He was deported to Cambodia in 2011 after doing a 16-year stretch for attempted murder. Since arriving, he has won a string of local and international accolades and represented Cambodia in the 2012 Poetry Parnassus, an international gathering of acclaimed poets. Kosal writes about abandonment, isolation and despair, yet without falling victim to his emotions. He remains hopeful even in existential moments of Hell. And it’s impossible to remain untouched by his honesty or uninspired by his resilience.
Runner up: Chhan Dina

Best arts space

Meta House, Sothearos Blvd.

Ahhhhh, zee Germans. Only they could create what is in effect a house about a house. Yet within the walls of that house about a house lurk some of the capital’s most creative souls. From beat poets to punk rockers, from painters to sonic sculptors, all can be found propped against the bar on any given day discussing elements of existentialism and the suchlike. And, let’s be honest, art exhibitions never tasted better than when being washed down with the finest German fare.
Runner up: Java Cafe & Gallery

Best movie theatre

The Flicks, Streets 95 & 136

Once upon a time, The Flicks was the only place to see Western cinema in Phnom Pehn on a screen bigger than your plasma. Amazingly, despite competition from two other ‘traditional’ cinemas (ooh, cup holders on the armrests!), The Flicks remains top of the readers’ choice board. Perhaps it’s the distinct Southeast Asian feel of their viewing space, or the fact they show more than just the newest big-budget CGI stuff that Hollywood is trying to shove down our throats.
Runner up: Legend

Best bookstore

Monument Books

In a town where stolen and photocopied paperbacks are openly sold by child grifters, Monument Books is a refreshing testament to decency. The capital’s oldest book store houses the world’s best collection of Cambodia-related titles as well as the country’s largest selection of magazines, best-sellers and new works. The range of children’s books and pre-teen lit isn’t shabby, either. A Blue Pumpkin on the middle floor serves a full menu and the toy shop upstairs offers ogle-worthy options for those too young to read.
Runner up: D’s Books

Best DJ

Simon C Vent

Simon C Vent (UK) – a staple of the Drop Dead Disco nights pumping out nu disco, deep house and tech house everywhere from here to Otres Beach – is a regular turner of tables at Down With The Kids DJ hangouts such as The Eighty8 and Backstage. And, according to you lot, when it comes to spinning he’s Numero Uno.
Runner up: Funk Elastiks

people-places

Best hotel

Raffles Le Royal

One of Southeast Asia’s destination hotels, Raffles Phnom Penh has been an iconic resting place for the well travelled since 1929. Entrepreneurs, writers, journalists, royalty and intrepid travellers of all stripes have stalked its corridors, with guests of note including former US First Lady Jacqueline Kennedy (whose lipstick-smeared champagne flute now rests in a glass case at the entrance of the Elephant Bar) and French writer, statesman and adventurer André Malraux.
Runner up: Plantation

Best gym

The Place, Street 51

Forgetting for a second year the fact that its pool is billed as ‘mini Olympic-sized’ (owners, take note: a pool is either of Olympic proportions or it isn’t), The Place is so geared towards highfalutin fitness that you almost feel guilty for sweating. Housed in a purpose-built complex on Street 51, the gym – which occupies more than 3,000 square metres spread over four floors – is Phnom Penh’s ultimate homage to the ‘my body is a temple’ ethos. Aspiring hard bodies can choose from more than 250 cardio machines; free weights; a hot yoga studio complete with Indian yoga master; karate studio complete with Cambodia Karate Federation master; personal trainers; aerobics classes and, of course, the – ahem – ‘mini Olympic-sized’ pool.
Runner up: Fitness One @ Himawari

Best spa

Bodia, Sothearos Blvd

Sometimes even the hardiest of us need a little pampering and there are few places better designed to soothe the tired in body and mind than Bodia Spa. Providing the full gamut of relaxation therapies at surprisingly reasonable prices, Bodia is something of an oasis on the city’s rough and ready Riverside: dip your toe in the jacuzzi while staff shower you with petals (really); prepare to be slathered in aromatherapy oils; book yourself in for a miraculous slimming massage – the most pleasant diet you’ll ever try. Bodia is designed to look like a ‘sheltering cocoon’, which means that although you may enter as a caterpillar, you emerge somewhat improved.
Runner up: U&Me

Best place to take your kids

Kids City, SIhanouk Blvd.

Laser tag, an ice skating rink, a hands-on interactive science zone and clip-and-climb walls of various difficulty. Not convinced? How about a playground with staff on hand to supervise your child while you nip off to the in-house Gloria Jeans or Blue Pumpkin for a little You time? It’s almost enough to make you want a kid, or consider borrowing someone else’s for a day.
Runner up: Le Jardin

Best free wi-fi hotspot

Brown Coffee & Bakery

The interiors at Brown are just a little less contrived, the furniture a little more comfortable, than most other coffee shops in town, which makes Brown the perfect place to order a hot cup of caffeine and fritter your idle hours away surfing Facebook and catching up on the latest daytime fashions of the Phnom Penhoisie. The smoothies are rich and creamy, the chocolate brownies moist and rich and the cookies not too sweet. What’s more, Brown is Cambodian owned – no soul-crushing overseas multinationals here – which makes handing over your greenbacks just a little more easy.
Runner up: The Blue Pumpkin

Best place to people watch

Riverside

Sisowath Quay is a kilometre-long cacophony of humanity in all its ambling glory. Young drink-sellers peddle bottled water and crispy snacks in an assortment of seafood flavours. Older women carry bathroom scales and for a few hundred riel the curious can count their kilos. Blind musicians plunk away on stringed instruments. Beggars beg. Runners run. Tourists tour. Outdoor photo exhibits go up and down and twice a year like clockwork the river changes course. All mad and sublime and amazing. Jump right in and be a part of it or grab a chair and a beer and watch it all meander by.
Runner up: The FCC

Best place to watch the sun set

Eclipse Sky Bar, PP Tower

High: it’s a wonderful place to be. Just ask any stoner. For everyone else, there’s the city’s burgeoning sky bars – perfectly elevated perches in which to get pissed (altitude can actually increase the effects of alcohol; just sayin’). For an unparalleled combination of booze and views, the Eclipse Sky Bar, which sits atop the 23-storey Phnom Penh Tower, offers a 360-degree panorama of the city from sufficient loftiness to make your knees go weak. And that’s before you get the bill.
Runner up: The Bungalows

Best place to get drunk during the daytime

Public House, Street 240&1/2

Getting drunk in the daytime carries a certain air of delinquency that is absent when tipping in the evening. Drinking at night is customary; everyone does that. Only a true reprobate shoots The Man a middle finger and gets sloshed while the rest of the world works. Luckily, Public House appeals to the morally superior glutton in all of us. The restaurant offers an all-you-can-eat-and-drink brunch, but only on weekends. It’s free-flow Bellinis (sparkling wine with peach puree) and Bloody Marys with unlimited servings from the short but exceptional food menu. A fruit salad with yoghurt tops the list and cleanses the palate. Then there’s loads of hearty stuff and bacon: corn fritters & bacon, bacon & avocado on toast, bacon & egg pie, eggs Benedict (served with bacon, of course). Eat and drink as much as you want and do it with a clean conscious. It’s the weekend. You don’t have to go to work. You don’t have to lie to your boss. And the sparkling wine keeps it classy.
Runner up: Show Box

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Best restaurant

Public House, Street 240&1/2

William Norbert-Munns doesn’t like the term ‘gastro pub’. He doesn’t like it at all. Suggest that his and his brother’s second Street 240½ venture is akin to what might be described precisely as such in, say, London, and the New Zealander hisses through clenched teeth: “Bistro! I was going for bistro!” He has a point, not least because the word ‘gastro’ can have less-than-pleasant connotations in the developing world. Public House is less pub – of any hue – and more Antipodean Escape. The intertwining aromas of carved wood and fine food, the latter courtesy of an open kitchen policy, are almost as intoxicating as the cocktails (the $5 Mekong Breeze – vodka, cranberry juice and grapefruit juice – is a must if you don’t want to waste any time on the road to oblivion). The boys even made a special box to hold copies of The Advisor (No, we did not doctor the vote – Ed). Awwwww, shucks!
Runner up: Deco

Best place for lunch

Artillery, Street 240&1/2

Artillery – the crunchy, ultra-healthy eatery in the Street 240½ alley – stands proudly at the opposite extreme of Phnom Penh’s notoriously late-night boozy reputation. The menu is nearly all vegetarian, with leafy salads and vegan delights such as raw pizza and pasta. Heartier dishes include an excellent falafel served with hummus and the Supreme, the lone meaty sandwich made with farmhouse pork sausage and served on walnut bread. For a healthy energy boost try the Chocolate superfood smoothie with raw cacao and goji berries. Or when the one-too-many nights start catching up, detox with a raw food cleanse. Your liver will thank you.
Runner up: The Shop

Best place for a coffee

Brown Coffee & Bakery

There’s a reason we’re continually stuck in traffic near the corner of Streets 51 and 294: the line of Range Rovers outside Brown’s. With six Brown Coffee & Bakery locations around the capital, perhaps you’ve had this experience as well. Serving a variety of pastries, cakes and snacks in addition to hot and cold drinks, Brown’s was voted the best place in Phnom Penh for a cup of coffee (assuming that you’re OK with calling medium ‘large’ and large ‘grande’). At Brown the ‘goal is to make every cup count’. KER-CHING!!
Runner up: Java Cafe

Best burger joint

Mike’s Burger House

Make no mistake: Mike is not famous for serving gourmet burgers with foo-foo vegetables and smelly French cheeses. Mike makes just-a-little-bit greasy, just-a-little-bit messy drive-thru-style burgers wrapped in wax paper and served on a plastic tray the way God intended. Mike’s patties are crisp on the outside and soft and juicy on the inside. The iceberg lettuce is fresh and crunchy and the buns soft and mildly sweet. There are exotic burgers on Mike’s menu, spinoffs such as the Hawaiian (with pineapple) and the chilliburger. But’s it’s the classic cheeseburger and bacon cheeseburger that everyone from Cambodian royalty to American ambassadors flock to, and the likes of which, along with things like the A&W Root Beer float, are likely to send homesick Americans into rapture.
Runner up: Public House

Best local beer

Cambodia

Frank Zappa once said: “You can’t be a real country unless you have a beer and an airline – it helps if you have some kind of a football team, or some nuclear weapons, but at the very least you need a beer.” According to the Khmer Brewery web page, “It all began with a dream: a dream to create the best beer in Cambodia.” With all votes counted it would seem that their dream has been realised.
Runner up: Anchor

Best place for a sugar fix

Blue Pumpkin

What began as a small Siem Reap bakery run by French pastry chef Arnaud Curtat and his wife is today a string of 16 cafes where even the sourest of pusses can be turned sweet. The New York cheesecake is out of this world; northern Italian-style gelato ice creams come in every flavour, including local staples passion fruit and durian (no, really). Fresh produce is local and seasonal; the mission statement: to satisfy your taste buds and shower you with the best customer service. Mission accomplished.
Runner up: Bloom Cakes

Best bar

Bar Sito, Street 240&1/2

Chicago mob boss Al Capone would have appreciated a place like this. Dark wood panelling; exposed brickwork and a subterranean ambience evoke the spirit of Prohibition: a time when square-jawed gangsters roamed the streets armed with Thompson submachine guns while anti-prohibitionists, known as ‘wets’, swarmed speakeasies in defiance of the nationwide ban on booze. These high-class hang-outs were more often than not owned by the likes of the man called Scarface and reeked of the indulgence that went hand-in-hand with criminal enterprise. Such is Bar Sito, Spanish for ‘small bar’ – owned by the impossibly trendsetting Norbert-Munns brothers. Bada bing.
Runner up: Show Box

Best happy hour

Elephant Bar @ Raffles

When you walk into Raffles Le Royal looking for Jackie Kennedy’s legendary pre-war hangout, you’ll know you’re in the right place when the piano player gives you a warm smile and a nod. Here, in one of the most historically significant hotel bars in town, happy hour doesn’t last a mere 60 minutes, but a whole five hours. That’s right: FIVE. With everything from its signature Femme Fatale cocktail to the finest cognac slashed to half price, it’s the perfect place to taste the champagne high life on a pie ‘n’ chips budget. Now that, ladies and gentlemen, is class.
Runners up: Show Box and The Exchange

Best cocktail

Malongotini @ Bar Sito

As Jackie Chan once said: “Coffee is a language in itself.” Take that language, compress it into an espresso and add a dash of Kahlua and Absolut vodka. Now serve in a martini glass and garnish with three coffee beans. Not so much language as profanity, for this Malongotini packs one of the most powerful caffeine kicks in town. WAKE UP! In the best possible way.
Runner up: Espresso Martini @ Metro

Best bar owner

George & Will Norbert-Munns @ Bar Sito, Public House & Seibur

If there was a monopolies and mergers commission in Cambodia this award might spark a Strongly Worded Conversation, but thankfully there isn’t. And so it gives us great pleasure to announce that the best bar owners in the capital – as voted for by you (OK, and us) – are those inimitable New Zealand brothers Will and George Norbert-Munns, they of Bar Sito, Public House and now Seibur fame. We love you, boys!
Runner up: Darin & Myles @ Show Box

Uncommon Grace

It’s called ‘classical music’. It’s called ‘art music’. Snobbishly, it’s sometimes called ‘serious music’. It’s hard to define, but we know it when we hear it. It’s piano sonatas and chamber music and string sections and choirs and conductors with flying batons and hair in disarray. And since 2004, the International Music Festival Phnom Penh (IMFPP) has been growing and encouraging its development in Cambodia. Over the weekend of November 7 – 11, Artplus Foundation is presenting the 10th IMFPP at the InterContinental Phnom Penh and Meta House, featuring all of the above and more.

Anton Isselhardt, director of the festival, is quick to point out that this is not just an event for expatriates longing for the concert halls of home. “Who is our audience?  Every motodop; every cyclo driver, even the prime minister and the king: we want them all!” While financial backing for the festival is almost exclusively provided by the Goethe Institute, the European Union and the German Embassy (with performance space provided by the venue), Anton is clear: “We Western people… don’t do this initiative for ourselves. It is every year a challenge, especially to promote it to the Cambodian community.” The effort is paying off in the numbers: attendance has increased from the early days of very low local attendance to be solidly 50% Cambodian over the last two years.

The title of this year’s festival is Journey; the theme is the development of music through the tumultuous changes of the 20th century, dominated by two major wars, astonishing artistic, political and social change, and shifts in the global cultural centre of gravity. The formal music world was being augmented by outside influences, from the revolutions in visual arts to the incorporation of traditional melodies and jazz.

With such an ocean of musical adventurism to choose from, the programme focuses on the first half of the century, particularly the convulsions of European music: reaching from the neo-classical Czech composer Bohuslav Martinu, through the impressionism of Maurice Ravel to culminate in the vigorous folkloric injections of Bela Bartok. “That’s why we call it Journey, it is a trip to the Old World,” says Anton.

European music, however, is also where we find the origins of the 20th century American innovation of the Broadway musical, a form that is celebrated by the Friday night concert by the Bella Voce choir, formed in Phnom Penh in 2000
Acknowledging Broadway’s debt to Europe, the programme features works by the German Kurt Weill (selections from The Threepenny Opera) and two Americans who drew heavily on their ancestral roots: George Gershwin (including selections from Porgy and Bess) and Leonard Bernstein (including selections from West Side Story).

“We consider more or less everything and that’s the key idea of the festival: to show as much as possible. France was very dominant in those days and it would be easy to do it all with French composers, but no, we want to try to mix it so we have Austria, Belgium, Czech, Estonia, England, France, Germany, Hungary, Italy, Poland, Romania, Russia and Spain. And Cambodia.”

Undoubtedly, the highlights of the festival are Cambodian. In particular where, as Anton says, Cambodian musicians are playing Cambodian music for Cambodian people. For this we move forward in time to the later 20th century, with works scattered through the programme by Cambodian composers working in the Western traditions, dominated by Norodom Sihanouk, of course, but also rising teenage star Bosba Panh and more established names Chinary Ung and Him Sophy. “It is very much in our focus to bring… Cambodian music and Cambodian musicians into the festival,” says Anton.

In the piano summit on the Sunday, Cambodian musicians Rong Sereyvann and So Sronos will be participating, alongside world-renowned pianists from France and Germany. The Angkor Young Orchestra will play a selection of the late King Father’s works in the Grand Finale on the Monday evening. On the same night, the Phnom Penh String Orchestra welcomes guest musicians from Europe and a group of four students from the Sen Hong Music Centre in Ho Chi Minh City.

As part of the effort to encourage broader participation, the festival includes pre-concert introductory talks for two of the concerts. “This is a part of the concert we offer to you, our audience,” Anton explains. “Come here and get a little bit of information about what’s going on here, from Professor Dieter Mack and Professor Him Sophy. Him Sophy will talk about his own work. Both lecturers are experienced people. It does not mean those who don’t join that pre-concert introduction will have less appreciation, but what can we do more than to offer?”

While these introductory talks will provide some context, accessibility is not the main focus of the festival and a fine balance is sought between the extremes of crowd pleasing and crowd punishing. “In 20th century music, people might be suffering on their chairs so we don’t do programmes like that. This point we learn, we develop, we improve, finding somehow the right pieces. Even as an artist I hate it, to ignore the audience, but it does not mean we say, hey, what does the audience like? If that’s classical music then you play Mozart and Haydn and don’t play anything else.”

Making the festival accessible in more physical and social ways, however, is an ongoing effort. “8 o’clock in the evening is not good for Cambodians, 7 o’clock is just fine, but then there is the traffic, the rush hour.” And the issue of ticket prices (actually, the absence of pricing: all events are free) is an ongoing debate. “This is a long, useful discussion: if it makes sense to give such things free to people. It might be that if it is free, it has no value.”

And then there are the little things: making a brochure of a size that slips into a pocket rather than sitting at home; including a festival bonus that gives audience members who attend all sessions a chance to win a three-day package tour to Kampot/Bokor; and ongoing assessment of the extent of the reach into the audience.

A major challenge for any festival is the difficulty of booking well in advance, and in Cambodia this is even keener, particularly when juggling the financial inputs. “To discuss the next year’s programme, to already knock on the door of some artists, [asking] are you free, this is the project idea, but the confirmation, it’s coming next year, in April or May.” Anton is, however, undaunted: “On the other hand, if I would wait until the bucks are in the account, there will never, ever be a music festival, so this is something really challenging and adventurous. I have to be careful not to be too ambitious in doing programmes. I’m a musician myself and if I deal with musicians, I’m not a project manager or a concert agency, I’m a colleague. And it always hurts me to negotiate with my colleagues, to say: hey guys, it’s not more than that. If you want to make money, stay in Kuala Lumpur or stay in Germany.”

Clearly relishing his labour of love, Anton animates dramatically when he talks of his own role. “Last year I played [flute] some, this year it’s only conducting, in the final concert, so a weekly rehearsal with the Cambodians. I mean, Cambodians who play Bartok. Can you imagine that? They are on another star. They are on Jupiter already. So different from their local music traditions. To be aggressive in music? Yes! Sometimes they cannot believe themselves. I didn’t know I really can do that. I say: yes, you can. Come on! The Cambodian people – the Cambodian artistic community in its development – is the main focus of this event.”

Bosba Panh, a 16-year-old soprano and composer, is currently studying in Boston at Walnut Hill School for the Arts and the New England Conservatory Preparatory School. She will not be able to attend this performance, but she is honoured to be included on the programme alongside such names as Ravel and Debussy. “I hope it will encourage young Cambodians to appreciate our culture and Western music. It is the role of every Cambodian artist to make our culture alive through our art, which I hope I do.”

The piece to be featured, a violin and piano duet, Le Pavilion Enchanté, was inspired by her travels as a nine-year-old to western China, Sichuan and Tibet. “We took a 48-hour trip on the ‘highest train’ to Tibet, which was opened just five days before. The landscapes really marked me: the beauty of nature, the waterfalls, the snow, the lakes at 5,000 metres high like Namutso, the pandas living in their natural habitat with the bamboo.”

Bosba’s first music education was in the stalls at Psar Toul Tom Pong (Russian market). “We can buy and listen to all types of music from every country… that’s what I did! I discovered artists; Western classical music; I saw concerts of pop music stars, classical music in the parks.” She also draws on her Cambodian heritage. “I have been inspired by the works of Chinary Ung and King Father Norodom Sihanouk, but also the anonymous composers of Mohori and wedding music.”

Bosba is hopeful for the future of music in Cambodia, but notes the obvious barriers to entry. “Classical music is not easily accessible to most people. To reach the level of quality and perfection that you can hear in a Khmer wedding song or a symphony, we need quality teaching and discipline. Music training or performances must also be accessible to all people, not only the wealthy families.”

WHO: A range of international musicians
WHATJourney: European Art Music Development in the 20th Century, the 10th International Music Festival Phnom Penh
WHERE: InterContinental Hotel, Mao Tse Tung Blvd and Meta House, #37 Sothearos Blvd.
WHEN: November 7 – 11 (details at music-festival-phnom-penh.org)
WHY: Introduce your favourite motodop to Bartok