Bar stool athletes

There comes a certain time when all that’s reuired for basic survival is the facility to watch sports on ostentatiously oversized television screens. With Wimbledon in full tennis-elbowed swing, now is very much That Time. At Slur, one of the newest watering holes on the ever-ascendant Street 172 sporting wall-sized graffiti murals by local artist Peap Tarr and a generous stage and pool table, you won’t be alone – plus there is ample boozage and bar food to keep the most hardened sports fan sustained. Slur, #28 Street 172.

Prince of prophecies

WEDNESDAY 17 | In Australian filmmaker Jim Gerrand’s 1988 documentary The Prince & The Prophecy, the late Norodom Sihanouk – at the time a prince in exile – explains how Buddhist monks long ago prophesied the Khmer Rouge’s reign of terror. The prince is portrayed as a complex, contradictory figure: the descendant of god-kings; a playboy prince in the 1940s and ’50s; a devious, pragmatic politician who secured independence from the French and, amazingly, allied himself twice with the Khmer Rouge, the second time during Pol Pot’s horrific ‘Year Zero’. “I was overwhelmed by him,” Gerrand told The Age newspaper shortly after the film was released, “but I like people to make their own assessment. The range of responses has been extraordinary. A lot of people don’t get over his giggling – they would need to see the film a second time or meet a few Asians to get beyond that superficiality. He has a great sense of duty as a king and a great commitment to his nation.”

WHO: The historically inquisitive
WHAT: The Prince & The Prophecy screening
WHERE: Meta House, #37 Sothearos Blvd.
WHEN: 4pm July 17
WHY: Get a king’s-eye view of Cambodia

Jahzad: Beat dis

SATURDAY | Formed in 1964 and regrouping exactly 20 years later, Jamaican ska band The Skatalites, of Guns Of Navarone fame – along with Studio One in-house bands the Soul Vendors, Sound Dimension, Soul Defenders and Brentford Road All Stars – laid the foundations for modern reggae. Mixing their danceable rhythms with popular jazz tonight are some of Phnom Penh’s most talented musicians, among them Sebastien Adnot (bass), Sam Day Harmet (mandolin), Greg Lavender (drums), Euan Gray (saxophone) and Alexandre Scarpati (trombone). Known collectively as Jahzad, they promise an evening of “infectious beats and tasty horn lines”.

WHO: Jahzad
WHAT: Jamaican ska meets jazz
WHERE: Equinox, Street 178
WHEN: 9pm July 13
WHY: Infectious beats and tasty horn lines

Under cover: The Las Vegas Knockouts

SATURDAY | Unofficial music lore puts responsibility for tribute bands on Australia. A million miles from nowhere, the great outback was too remote to attract big British or American acts, so she was forced to make her own copies. Aussiebands.com lists no fewer than 70 tribute groups, from the suicidally awful Bjorn Again (ABBA) to the expected ACCA/DACCA (ACDC) to the suicidally awful The Absolute Kylie Show (Kylie Minogue). But the real history of the genre begins elsewhere. If any band can lay claim, that’s The Beatles, whose tribute act The Buggs released their first (and only) album, The Beetle Beat, in 1964. Then sometime around the turn of the century, tribute bands evolved into a viable genre of their own. For Las Vegas native Kace King, a punk-rocker in his youth and now the lead singer for The Knockouts, a Social Distortion tribute band, the transition was driven by necessity. “Fast forward from my punk rock band days to trying to make money, because local bands don’t usually make money,” King recalls of his days in Pimp and Never Was, both successful Las Vegas punk acts. In Las Vegas at least, the answer was clear, if not entirely satisfying. “You jump into the casinos, but you can’t play your own music, because people don’t want to hear it… this was the start of the tribute band movement that you see in Vegas every single day. It’s just tribute band fuckin’ fever… I always wanted to put together a tribute band to Social D because I just love the band. And I didn’t care if I made money or not, so that’s what I did on the side to have fun.” That was 12 years ago and in fits and starts The Knockouts have been playing together ever since. Two of the original members – including King – are currently killing time in Cambodia, backed by the terrifyingly talented power drummer Marcus Tudehope.

WHO: The Knockouts
WHAT: Social Distortion tribute band
WHERE: Sharky Bar, Street 130
WHEN: 9pm July 13
WHY: It’s all about the tributes, baby

Not so ordinary: Scott Bywater

Poet of the bar room, thoughtful musician and ceaselessly rolling stone, Scott Bywater is probably one of the most extraordinary ordinary guys around. That’s not what he tells people, of course; ‘(kind of a music guy)(writes a bit)’ his card advertises apologetically. “I got sick of reading on everyone’s cards ‘CEO this, Master of the Universe that,’” he says in explanation. “That’s what I am, and it doesn’t get anyone’s hopes up too much.” His musical style is multifaceted enough to encompass different gigs, redolent of chansonniers like Jacquess Brel as well as Anglophonic troubadours Leonard Cohen and Bob Dylan. Bywater of course sidesteps such laudatory comparisons: “It’s not like I see any link at all between what I do musically and Dylan. People see the harmonica rack and the guitar and assume my stuff is like Dylan, but I don’t think it’s anything like him.” And like Dylan he delights in not playing by the rules, experimenting with electronica and dub, then going back to his acoustic roots before jumping off into spoken word poetry. “I’ll give everything a shot; there aren’t any rules. I’m just as comfortable playing solo at Riverside Bistro as I am playing rhythm with the Cambodian Space Project.” Joining Scott for tonight’s acoustic session is fellow Phnom Penh-based muso, Andre Swart.

WHO: Scott Bywater and Andre Swart
WHAT: Acoustic night
WHERE: ARTiller, Street 240½
WHEN: 7pm July 12
WHY: Scott Bywater is a poet of the bar-room, thoughtful musician and ceaselessly rolling stone